Relationship with God

Do blessings fall from cloudless skies?

Have you noticed that “blessings” from God are not always clothed like blessings? Sometimes when they knock on our door we do not recognize them. Like peddlers, mendicants, little girls with cookies or young men and women with glossy literature we want to turn them away, give them a scrap of our time, be polite but hesitate to open the door more than necessary to converse briefly with them and then hopefully send them on their way to our neighbors. We don’t see them as blessings, but as nuisances and interruptions in our busy day of pursuing blessings by another more familiar name. We are too caught up in crossing things off our to-do lists so we can at least feel blessed, even though we really may not be blessed.
When blessings come, they are not only unrecognizable but they are also sometimes late, out of sequence and just not what we would affix as giving value to our lives. We are much more prone to bemoan the absence of blessings in our lives in the frustration of dealing with their delays and in so doing prove ourselves more ungodly than godly and anything but deserving. It is a catch 22 as they say, a paradoxical conundrum in which the very act of seeking a blessing has a way of dredging up the ungodly side of our nature that would threaten to disqualify us from the very thing we yearn.

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The Pain for Peace Exchange

Just yesterday I was talking to a person and we were commiserating about the fact that the longer we live the less we know. This observation was generated out of a mutual confession of perplexity with regard to recent painful disappointment he had suffered. Some things in life, especially painful circumstances beyond our control, the unfixable of life, eclipse our understanding. Like the moon passing before the sun, or cloudy skies blocking its warming rays, there are times when we do not comprehend the whys and wherefores of life. Such darkness can make it difficult to find our way.

It is necessary to be reminded that understanding the reasons for our lot in life is not necessarily the solution to our problems. While there is a tendency in all of us to grapple with the “why” question, sometimes it serves only to prolong our pain. One thing is certain, pain and suffering are an ever present part of the human condition. Not only does our experience testify to this, but an examination of the life of Jesus Christ, the Son of God confirms it. Isaiah the prophet predicted hundreds of years before His birth that He would be “a man of sorrows and acquainted with grief.” (Isaiah 53:3) And the writer of Hebrews tells us years after His death, burial and resurrection that He “learned obedience from the things He suffered.” (Hebrews 5:8)

If Jesus had to deal with pain and suffering in His life, how much more do we? In fact Paul the apostle tells us that our suffering in some mysterious way is meant to compliment and complete the sufferings of Christ. (Romans 8:17 & Colossians 1:25)

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Why prayer is not an option

As long as Moses held up his hands, the Israelites were winning, but whenever he lowered his hands, the Amalekites were winning. Exodus 17:11 (NIV)

Some things only happen if someone prays and will not happen if someone does not pray. That is the intriguing message from this verse. If that is true, it is the most compelling reason there is for a person to pray – especially for the things we want to happen.

This startling lesson on prayer took place shortly after the children of Israel left Egypt and began their journey into the wilderness toward the promised land. They were attacked by a people called the Amalekites, and Moses sent Joshua out with an army of men to fight them. Moses, along with his brother Aaron and another leader by the name of Hur went up on a nearby hill to watch and pray.

Unlike so many of us, they had the enviable benefit of observing exactly what happened when they prayed and when they didn’t. It was like God Himself had engineered a lab experiment on prayer. Having the vantage point of watching from the top of a hill, they were able to see the direct results of their prayers as they surveyed the battle raging in the valley below.

It did not take long for them to discover that winning the battle was directly dependent upon their prayers. The problem was they had to figure out a way to enable Moses to keep from dropping his hands in prayer. So they “took a stone and put it under him and he sat on it. Aaron and Hur held his hands up–one on one side, one on the other–so that his hands remained steady till sunset.” (vs. 12)

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Why you are a work of art!

This past week my wife and I visited the Walker Art Center in Minneapolis. It is a museum that hosts among things exhibitions of contemporary art. One of the exhibits was a work of art by Robert Gober created in the late 1980s entitled “Untitled Door And Door Frame” and the elements used were “wood, enamel paint.” This particular “work” consisted of two major elements. First there was a wood framed doorway, the only entrance into a white ten by fourteen windowless, featureless room. The door frame was painted with a healthy coat of creamy beige enamel. Inside the room leaning against the opposite wall farthest from the doorway was the second element of the “work” – an old six-panel interior door without a door knob or latch which was also painted a creamy beige.
Like so much of modern art, it takes a right-brained creative to fully appreciate the categorization of certain things as “art.” And this display by Gober, constructed and arranged using such common objects was no exception. Typically when most people think of art they imagine works like the Mona Lisa by Da Vinci or The Pieta by Michelangelo.
To a left-brained home fixit guy like myself, Untitled Door And Door Frame looked more like an unfinished project and anything but a work of art. In my linear, structured way of thinking the paint was dry so why not get the necessary hardware, grab the door and install the hinges and latch set, measure the doorframe to match, install its hinges and mount the door?
Perhaps that is some of the emotional response Gober was looking for when he came up with his idea. I know that good art is meant to be evocative but typically we associate the response of its beholder be one of aesthetic enjoyment rather than frenetic deployment.
It raises a very important question “When is art, art?”

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